Intercultural interactions between the culture of Italy and other countries, including Russia, are also significant here. But such interactions and their manifestations have not yet become the subject of a holistic understanding and scientific analysis of Russian cultural studies, as there is no complete study of the history of Italian cinema in Russian film studies, where only one period was seriously studied: 1945-1980. You can have a visit to https://best-primewire.com/ for the perfect results now.
The Progress
There is no doubt that an adequate understanding of the true reasons for the rise of post-war cinema in Italy is impossible without a careful study of the early stage of its development until 1945, which, in turn, requires an understanding of the place of cinema in the artistic culture of Italy as a whole, the processes of interaction cinema, theater and literature, as well as taking into account the socio-cultural context within which these processes took place.
The degree of scientific elaboration of the problem
The complexity and interdisciplinary nature of the study of the formation and development of Italian cinema in the cultural and historical reality of the late XIX first half of the XX century demanded an appeal to a wide range of historical, cinema, art, cultural, sociological works of domestic and Italian researchers. When studying the general history and culture of Italy of the period under review in the context of world culture, we relied on the work of B. Benassard, G.V. Grinenko, J. Dzanardelli, I. Montanelli, B. Croce, A. Plebano, A. Petakko. R. Romeo, E. Sanesi, C. De Seta; The history of Italy in three volumes of the USSR Academy of Sciences edited by S.D. Skazkina, K.F. Misiano, S.I. Dorofeeva; data of the Italian Central Institute of Statistics Istituto Centrale Statistica and others.
In the analysis of the processes taking place in the Italian theater, the studies of A.D. Avdeev, A.K. Dzhivelegov, S.S. Mokulsky, B.G. Reizova, D. Alfieri, A. Fabrizzi, C. Meldolezi, F. Angelini, A. Di Nallo, R. Viviani, A. Rusconi, N. Miletti, Enciclopedia dello Spettacolo UNEDI, Enciclopedia Italiana Treccani and others; Italian literature research – E.Ya. Burlin, E.I. Gabrilovich, M. Karl, R. Merlante, A. Carpy, F.T. Marinetti, S. Antonini, P. Iaccio, M. Biondi, A. Barsotti and others.
Study and analysis of the formation and development of cinema
A serious study and analysis of the formation and development of cinema in Italy at the end of the XIX the first half of the XX century carried out by many researchers since 1939 (Fr. Pasinetti, University of Padua). For the past, the most important were the studies of such authors as G.D. Bohemian, B. Balash, J.P. Brunetta, S. Bernardini, F. Nata-lini, R. Canudo, S.A. Luciani, V. Martinelli and others. Since the period of the early formation of Italian cinema remains poorly understood in Italy itself, it was essential for the analysis to refer to the original sources that have survived to this day films, the vast majority of which are only partially available, as well as films and photo documents, archival materials, various diaries and memoirs.
Last Words
As for publications in Russian, the issues of the cinema in Italy were repeatedly covered in 1950-1960. in translations of the works of such researchers of Italian cinema as Dzavattini Ch., Chia-rini JL, Lidzani K., Ferrara J. and others. Proceedings of domestic film experts Bohemsky G.D., Kolodyazhnaya V.S., Solovyova I.N., Shitova V.V. refer only to the post-war cinema of Italy, starting from the period of neorealism.